A few highlights from today's big meeting.
There was a good crowd this morning for various presentations, including mine about my book:
Our gracious and loquacious host, Herman Price:
All eyes turn to Gabe Burbano, winner of this year's QWERTY Award for excellence in promoting typewriters:
Peter Weil describes his conservation process for his Universal Crandall No 3.
The results:
Bob Aubert showed us a Hammond for use by the blind. Its original owner won a Hammond typing contest in 1904.
This is a poor photo, but you can see the six special keys with raised rings that served as home keys for the blind user:
Bryan Kravitz of Philly Typewriter Repair gave us all copies of a fun brochure on typewriter care that he wrote in the '80s. You can download a PDF of it here.
Brian Brumfield told us about his experiments casting replacement parts, such as Hermes knobs and Smith-Corona carriage release levers. The general moral: flat parts are easy, complex 3D parts are not.
Dave and Will Davis showed us their "Harry A. Smith" Victor and pointed out that many "outlier" features of typewriters — parts or characteristics that seem surprising for the time when they were made — probably were added when the machines were rebuilt. Just one rebuilder had rebuilt over 300,000 Underwoods by the mid-1920s.
Plenty of typewriters came out of trunks and were swapped and sold before rain came along:
Here's a Remington made in Italy and branded Commodore:
There were several Underwood electrics lying around:
These delicate, feather-light typewriters make excellent laptops:
Above, Ian Brumfield is practicing for the five-minute speed typing competition. We were given a text about Herman's ancestor Henry Francisco, who supposedly joined the army at age 91 and lived well past 100. I managed to edge out Ian by just a couple of words per minute, working on the Purple Prose Producer:
The PPP was also an entrant in the beauty contest, but it didn't get far.
The beauty contest winner was Herman's restored experimental Remington Telegrapher.
Finally, I had a good talk about minds and machines with Oliver fan and fellow philosophy professor Marty Rice, who brought this wonderful ad I hadn't seen before:
That sure is an aggressive writing machine!
Looks like a lot of fun. I'll have to go to one of these some day. I wonder if that Underwood electric handles better than my massive Royal-Litton?
ReplyDelete"Just as a battleship goes into action with decks cleared, so goes the Oliver--stripped of all useless parts." -- Brilliant!
ReplyDeleteThanks for chronicling the meeting.
Lucky, lucky attendees! I wish I were in West Virginia! The typewriters are so beautiful this time of year.
ReplyDeleteThat Oliver ad is a hoot - I'll see if I can get the cannon on my Oliver running :)
Thanks for the pictures Richard - lots of coverage on the Facebook group also. Looks like yet another fantastic event!
ReplyDeleteOh boy, that Underwood Electric, with two-tone keyboard! And, paraphrasing Elvis Costello: Oliver's navy is here to stay, Oliver's navy are on their way... Brilliant ad.
ReplyDeleteWish I was there :D
ReplyDeleteHey, that Rice guy has a real eye for good graphic design, ... doesn't he? And Searle's Chinese Room argument is STILL relevant!
ReplyDeleteA simple viewing of Kubrick's 2001 is evidence that Searle was barking up the wrong tree.
DeleteYou mean "Stanley Kubrick" was really a computer?
Deleteno,no--all the actors except for HAL were obviously (primitive) a.i..
DeleteHow can anyone type with an Underwood All-Electric on their lap? It weighs between 1 and 2 million tons!!!
ReplyDeleteI know! That must have left some bruises.
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