This is great, thanks for highlighting his work. I am surprised that the paper is still in one piece at the end of the novel! His cardboard sculptures of the typewriters( on his website) are great too.
I had the pleasure of meeting Tim at Jones Typewriter in St. Louis one day. Nice man. Told me about his experience retyping "The Sun Also Rises" on a Corona 3. Said it wasn't much fun because his hands weren't small enough for the keyboard.
Hmmn, that actually looks like a good reason to use one of those black/white bichrome "correction" ribbons. Type one page worth in ink, the next in correction, then back to ink, switching for each page and building up a textured layer of ink and correction overstrikes, all piled on top of each other.
It should be noted that many authors learned how to tell stories by first re-typing favorite novels, to get into practice. I presume they use more than one sheet of paper, but the learning effect would likely be similar regardless if the final result was readable or not. (:
I may start typing my typecasts like that. As Rob stated...not able to spot typos.
Retyping a novel (as I wrote that I thought I should write is a novel idea) sure would be a great way to practice typing, and it would not be as boring as the drills in a typing book.
Retyping whole novels? It's the Typospherian equivalent of running a marathon!
ReplyDeleteThis is great, thanks for highlighting his work. I am surprised that the paper is still in one piece at the end of the novel! His cardboard sculptures of the typewriters( on his website) are great too.
ReplyDeleteI had the pleasure of meeting Tim at Jones Typewriter in St. Louis one day. Nice man. Told me about his experience retyping "The Sun Also Rises" on a Corona 3. Said it wasn't much fun because his hands weren't small enough for the keyboard.
ReplyDeleteNo chance of spotting (let alone correcting) a typo then! I've just been reading of Everett Reuss's adventures in Carmel and elsewhere.
ReplyDeleteHmmn, that actually looks like a good reason to use one of those black/white bichrome "correction" ribbons. Type one page worth in ink, the next in correction, then back to ink, switching for each page and building up a textured layer of ink and correction overstrikes, all piled on top of each other.
ReplyDeleteIt should be noted that many authors learned how to tell stories by first re-typing favorite novels, to get into practice. I presume they use more than one sheet of paper, but the learning effect would likely be similar regardless if the final result was readable or not. (:
It's nice to know that Fariña's manuscript was typed on an Olivetti Lettera 32. (:
ReplyDeleteI may start typing my typecasts like that. As Rob stated...not able to spot typos.
ReplyDeleteRetyping a novel (as I wrote that I thought I should write is a novel idea) sure would be a great way to practice typing, and it would not be as boring as the drills in a typing book.