Friday, March 10, 2017

Scenes from the life of a typewriter repairman

My work as a typewriter repairman (raising funds for WordPlay Cincy) brings interesting experiences my way.

Yesterday, I drove south for a couple of hours into rural Kentucky, enjoying the early spring day. The reason for the trip was my failure to correct all the problems on a couple of Smith-Coronas. Their owner had to bring them up to Cincinnati twice, and it was only fair that I bring them down to him when they were 100% fixed.



The Smith-Coronas' owner uses them to write notes as he's studying the Bible. He says that his handwriting is impossible and he doesn't like using computers more than necessary, so typewriters are a perfect solution. He has built up a small collection of them, and also fixes sewing machines. We had a friendly conversation about technology, religion, and philosophy.



One of the perks of typewriter repair is that people bring you lovely and interesting machines. Here's simply a beautiful example of an L. C. Smith no. 8, made in 1928 (serial number 805533-10). I've cleaned it up for a customer who will be using it in her daughter's wedding. The platen was replaced at some point, and the typewriter was apparently barely used after that, because the rubber looks untouched. I figured my readers would like to see it.





You, too, can become a typewriter technician and have adventures like this. Dig into your machines, pay attention, practice, read the literature, and ask questions of your fellow typospherians. You may become a lifesaver for people and machines in your area.

Monday, March 6, 2017

Sears Medalist Electric 12 typewriter

"OK, team, you heard the boss: don't make it look like a Smith-Corona!"

"But it is a Smith-Corona."

"Wrong! It's a Sears."

"So what does a Sears look like?"

"That's the question. Get to work, boys!"

"Well, at least we've got a Sears logo ... how about slapping some fleurs de lis under it?"

"Flirt-a-what?"

"Fleurs de lis."



"And we'll put some gold concentric circles on the platen knob."



"Gold, huh? I like that. Classy. Let's make the return lever gold, too."



"And the paper table. Hey, how about if we make the line spacing selector numbers pop up a bit ... here, let me show you."



"It needs red, too. I like red highlights. And let's give it a paragraph key, like those old 'self-starter' keys on Remingtons."



"All right, and on the other corner we'll put a half-spacer. Hey, let's give it a left-pointing arrow, just to confuse people!"



"I think it should have one of those check-protection keys, the kind that types tiny dots."



"This thing is deluxe, right? So it's definitely going to have to include the Change-A-Type.™"



"We can do more than that. A simple two-color ribbon isn't enough. This baby is gonna handle four colors!"

"How the heck are you going to arrange for that?"

"Real simple."



"What else can we change to look like a—Sears?"

"Um ... the feeet?"



"Now we're getting somewhere. And no slide-forward ribbon cover like on Smith-Coronas. The Sears is going to have a flip-up cover with modern angles."



"And a nice, chunky base that looks like ... I dunno ... a car from the year 2010, or something."


"Let's paint it a really dark forest green."

"Yeah!"


"OK, boss, there you have it: this is what a Sears looks like."